Showing posts with label namm. Show all posts
Showing posts with label namm. Show all posts

MXR introduces Sugar Drive (it's a klone)

It's a mini-klone. It's $119. It looks really cheesy. Alternatively, it looks kinda cool. For more info, visit MXR.

The MXR Sugar Drive provides a diverse range of clear and transparent overdrive tones, from sauced up boosting to blown-tube distortion. It’s based on a rare overdrive pedal that has acquired a mythical reputation among fanatical tone-seekers thanks to its unique circuit design.

The key elements of that circuit design are the Drive control and something called a charge pump. First, the Drive control on this pedal doesn’t just increase the intensity of the overdrive pedal. It starts with your clean signal and then blends it with the overdrive effect as you turn it up, replicating the smooth transition of an amplifier going from clean to dirty. The charge pump increases overall headroom, which opens everything up nicely.

Of course, we had to put the MXR touch on this circuit. If you’re all about true bypass, then you’re in luck—this pedal uses it by default. The original used buffered bypass, though, and we know there’s a lot of players out there who don’t want to fix something that isn’t broken. They’re in luck, too—just flick the Buffer switch on the side of the pedal to enable buffered bypassing.

With a simple three-knob setup and an MXR mini housing, this is the go-to overdrive to have on your pedalboard. It’s versatile and it saves space, and unlike the original pedals it’s based on, it won’t cost you thousands of dollars.

Fender unveils new pedals at NAMM

These, I believe, are Fender's first pedals since the unexceptional Competition Series pedals and certainly look more inspired than their predecessors.

Pugilist Distortion - MSRP: $99.99
A dual gain-stage distortion with a switch-activated bass boost.

Level Set Buffer - MSRP: $99.99
It's pretty feature-rich for a dedicated buffer pedal, if only because buffer pedals generally don't feature anything other than the buffer. Along with level and hi-frequency filter knobs, the footswitch allows you to mute the signal.

The Bends Compressor - MSRP: $129.99
Maybe it's named after the Radiohead album. Maybe it's named after decompression sickness.

Marine Layer Reverb - MSRP: 149.99
The oddest name from a set of oddly-named pedals. At its price point, it'll have heavy competition with the TC Hall of Fame, DigiTech Polara, BOSS RV6, et al.

Mirror Image Delay - MSRP: $149.99
Like the Marine Layer Reverb, this one will have a lot of competition in the $150 range.

Santa Ana Overdrive - MSRP: $199.99
Some good tone-shaping potential here with two different voices, a 3-band EQ and optional boost.

Seymour Duncan introduces Andromeda Dynamic Digital Delay

The Andromeda™ Dynamic Delay is a new approach to the traditional digital delay – as much a performance tool as it is a sound effect. Andromeda features warm, hypnotic repeats with an unparalleled level of control and musical, dynamic interaction. The combination of versatility and ease of use make it an indispensable tool for the creative guitarist.

The Andromeda will have a $299 street price. Check the official product page for more info.

New MXR pedals - Russian Pickle, Conquistador, more

Russian Pickle fuzz

The Russian-Pickle Fuzz dishes out smooth, creamy fuzz tones with a clear midrange to cut through the mix and a fat bottom end that keeps your sound thick and full. With a no-nonsense interface featuring Volume, Tone, and Distortion controls, you can quickly dial in your sound and get to playing. Bass players, take note—this pedal has enough low end to tremble the earth. Whether you’re going for ’90s-era grunge, swinging stoner grooves, or raw two-piece garage rock riffage, the Russian-Pickle Fuzz is the perfect comrade for your pedalboard.

Conqustador fuzzstortion

Want to know what the Conquistador Fuzzstortion sounds like? Take a giant Velcro strip and tear it apart with great vigor, and you’ll have your answer. This aggressive gated fuzz conquers sonic frontiers with ease and simplicity. Just use the classic Volume, Tone, Fuzz control setup to dial in your sound and then play a soundtrack to shred the space-time continuum. Even at extreme settings, the Conquistador Fuzzstortion remains musically pleasing in its onslaught of destruction.

Dyna Comp Mini Compressor

The Dyna Comp Mini Compressor combines the best of classic tone and modern convenience in a housing that’s nearly half the size of the original. anks to its rare CA3080 “metal can” integrated circuit (IC), this pedal yields quieter operation, greater transparency, and increased dynamic range. An all-new Attack switch toggles between slow and fast attack times.

Il Diavolo Overdrive

The Il Diavolo Overdrive, designed in collaboration with premier Italian pedal designer Carlo Sorasio, features a classic circuit that’s been hot-rodded for enhanced midrange and low end frequencies. Thanks to the Hi/Low switch, this pedal gives you access to a wide range of symmetrical and asymmetrical tones, from a smooth organic boost to sweet, smoky overdrive to full on-grind.

Sub Octave Bass Fuzz

The Sub Octave Bass Fuzz dishes out thunderous low end with earth-shaking fuzz. To create this sonic behemoth, MXR’s engineers combined the Growl section of the Bass Octave Deluxe with a long-forgotten fuzz circuit. With three separate output level controls for the fuzz, sub octave, and dry signals, you can create your own recipe of subterranean tones without sacrificing any of your instrument’s natural sound. Further versatility comes in the form of the fuzz section’s tone controls and two switchable voices—warm and compressed or bright and aggressive—along with the Mid Level control, which allows you to give your dry signal some more punch in the midrange.

Six Band EQ

The MXR Six Band EQ has been upgraded with noise-reduction circuitry, true bypass switching, brighter LEDs for increased visibility, and a lightweight aluminum housing. It covers all the essential guitar frequencies, with each slider ready to deliver +/-18dB of cut or boost for incredible control over your sound. The Six Band EQ can create scooped-mid rhythm tones with massive low end, add natural sounding warmth to a quacky acoustic pickup, eliminate onstage feed-back, and much more. You can also use the Six Band EQ in the effects loop of your amp for a huge, sculptable lead boost.

Ten Band EQ

The MXR Ten Band EQ has been upgraded with noise-reduction circuitry, true bypass switching, a lightweight aluminum housing, brighter LEDs for increased visibility, and a second output so you can run two separate signal chains. With ten carefully chosen frequencies and both input and output level controls, the Ten Band EQ will let you tune your bass or guitar rig to any room in seconds—create earthshaking low-end; restore punch, level, and treble response to a crowded pedalboard; warm up an amplified acoustic; and much, much more. For ultimate tone-sculpting ability in a bullet-proof enclosure, put the Ten Band EQ on your pedalboard.

Source Audio introduces the Ventris Reverb (demo)

Following the success of the much-heralded Nemesis Delay, Source Audio will introduce the dual processor equipped Ventris Reverb at the 2017 Winter NAMM Show. Demos of a beta-version of the pedal will take place in Hall B at Source Audio booth #5498. The Ventris is a powerful stereo reverb pedal featuring 24 distinct effect engines ranging from classic Spring, Plate and Room sounds to advanced Shimmer, Swell, Modulation, and Pitch Shifting reverbs. The Ventris also features dual DSP hardware, eight onboard presets, true spillover, stereo inputs and outputs, soft bypass (or "trails"), a unique hold function, full MIDI control, and deep editing functionality with the Neuro Mobile App (a free download for Android and iOS).

Back in January of 2016 Source Audio released the Nemesis Delay, a seminal super-delay pedal that was instantly embraced by musicians of all kinds and attracted much attention from the major music gear publications. Sound On Sound said the Nemesis "sounds absolutely gorgeous." Premier Guitar gave it their coveted "Premier Gear Award." Guitar Player inducted the pedal into their "Hall of Fame." Fletcher Stewart of Tone Report Weekly called it a "future classic" and honored it with TRW's "Top Tone Award." Armed with many of the powerful features that made the Nemesis so successful and knowledge gained from over a year of intense research, Source Audio has crafted a thoroughly modern reverb pedal with exceptional tone and highly advanced features. "We spent much of 2016 talking with hundreds of music professionals and gear forum enthusiasts," says Source Audio president, Roger Smith. "We asked them, 'what would you put in your dream reverb pedal?' It was that conversation that led us to the conclusion that dual processor architecture was our best path. No other pedal features dual processors, and this gives the Ventris a number powerful advantages - it's like having two high-end reverb pedals in a single unit."

Source Audio's two man engineering team of Bob Chidlaw and Jesse Remignanti took extreme care in crafting the Ventris's exceptionally spacious and natural reverb tones. The pedal features 12 onboard reverb engines with an additional 12 available in the Neuro Mobile App. Effect engines include two flavors of Spring and Plate reverb for remarkably authentic vintage tones. The pedal perfectly captures the ambient reverberations of a wide range of room sizes from the warm and tight Club engine to the vast and cavernous E-Dome. The Ventris also offers a beautiful collection of "unnatural" reverb effects. The Swell engine creates a reverb swell for subtly emerging puffs of sound. Metal Box imagines the sound of your amp blasting in a claustrophobic, steel walled storage container. Shimmer mixes in angelic octave-up reverberations for an atmospheric sheen. Vocal applies detailed filtering to the reverb for a haunting vocal quality.

The Ventris Reverb also features a long list of time-tested control functions as well as some bold new ones. Independent dual DSPs (a completely new feature in the Ventris) give the pedal the ability to perform a number of valuable routing and preset switching options. A standout feature made possible by the dual DSP is "true spillover," which allows users to change from one preset to another without cutting off or shortening the reverb tail in any way. The Ventris also features 8 onboard presets, full MIDI functionality (extending the preset number to 128), stereo inputs and outputs, runaway feedback capabilities, simultaneous expression control of multiple parameters, external preset switching, a "Hold" function that sustains the reverb trail with the pedal's second footswitch, and much more.

Like all pedals in the Source Audio One Series, the Ventris features an intuitive set of controls on the face of the pedal and a much larger set of editing parameters when connected to the Neuro Mobile App. Front panel controls include Pre-Delay, Time (which controls the length of the decay), Mix, and Tone (a high frequency damping filter). The pedal also includes two variable knobs called "Color 1" and "Color 2" that change function depending on the nature of the selected Reverb engine. The Neuro Mobile App offers an additional set of reverb engines and an extended set of deep editing parameters. With the App users can edit highly customized presets then save and share them with other musicians in the Ventris/Neuro Community.

DigiTech unveils CabDryVR Dual Cabinet Simulator

The CabDryVR is priced at $229.95

The CabDryVR features dual inputs and outputs, one of which has an optional dry path that can run to your on stage amp. The CabDryVR Cabinet Tuning™ Size control was developed for the venerated GNX Series and morphs the resonant peak of the cabinet to create custom cab sizes and tones. Individual output level controls let you balance each cabinet’s volume in the mix.

Features

Studio Quality Guitar and Bass Cabinet Impulse Responses in a Pedal
7 Guitar and 7 Bass Cabinets that can be mixed and tuned (14 cabinets total)
Dual Inputs and Outputs with separate cabinets on each
Cabinet B features an analog dry output for connecting directly to an amp
Output Clip indicator LED
Mono In/Dual Cabinet Out
Compact Size with Soft Click Vacuum-Style Footswitch
True Bypass circuitry preserves your tone when the pedal is not in use
High-Voltage operation for uncompromised signal quality

Guitar Cabinets
Cab 1 - Vintage American 2x12"
Cab 2 - Vintage British 2x12"
Cab 3 - British Green Slant 4x12"
Cab 4 - British Straight 4x12"
Cab 5 - Heavy American 4x12"
Cab 6 - Smooth Custom 4x12"
Cab 7 - Small Combo 1x8"

Bass Cabinets
Cab 1 - Flexy 1x15"
Cab 2 - Basic 1x15"
Cab 3 - Big Blue 1x18"
Cab 4 - AmeriTweed 4x10"
Cab 5 - Gold Diamond 4x10"
Cab 6 - Vintage Fridge 8x10"
Cab 7 - Blonde Basement 2x12"

Below is a demo from Pro Guitar Shop:

JHS unveils Milkman and VCR

The Milkman will ship in early spring 2017, and is priced at $179.

The Milkman is a collaborative idea between Josh Scott of JHS Pedals and Tim Marcus of Milkman Sound. The concept is simple; a single pedal that offers up an echo/slap delay and a boost that can be used as an always-on enhancer or as an overdrive for small wattage amplifiers. Josh designed the circuit in late 2016 and here we are, a small footprint, easy to use boost/echo 2-in-1 that fits into any style players rig with ease. Let's look at the controls.

The right side of the pedal is the boost side. This boost is a discreet amplifier based circuit with tons of power and character. Simply set it low at unity gain for an always-on enhancer that fattens up and clarifies your tone, or turn more clockwise to push your tube amplifier into sweet natural overdrive. The left side of the pedal is the echo/slap delay circuit. This circuit is designed to be a hybrid of tape echo and analog BBD delay. The controls are simple and it sounds good in every setting. The “Slap” knob is the amount of delay time. As you turn the knob up, you will get longer delay times. Keep in mind, this pedal is designed for shorter vintage slap-back delay times. The “Mix” knob is the effect level. Full counter clockwise is all dry and full clockwise is full wet/effect. The “Repeat” knob controls how many echoes or repeats you get. The minimum is one and maximum is around 4.5 repeats. "Repeat" knob lets you fine tune how many delays you will get. Lastly is the “EQ” knob. This control only affects the repeat delay signal so that you can perfectly adjust the brightness or darkness of your echo. When fully counter clockwise the repeats are at their darkest much like an old BBD analog delay. When fully clockwise the repeats are the brightest they will be with more grit, this is much like a classic tape delay machine.

The footswitching is our typical 2 in 1 arrangement where either effect can be used separately or together. The foot switch on the left, the switch will turn the delay on/off and the footswitch on the right will turn the boost on/off.

The VCR will ship in early spring 2017, and is priced at $259.

The VCR pedal is a first in a new collaboration between PaxAM, Ryan Adams, and JHS Pedals. The VCR pedal is Ryan's signature Volume/Chorus/Reverb pedal inspired by the tones of The Cure, The Smiths and a hefty dose of 1980’s angst. Dial in the perfect movement, ambience and volume/boost level to create an instant three effect analog preset.

There is one true bypass stompswitch that functions as a master on/off and each of the three effects are turned on/off with their respective toggle. There is a corresponding LED for each effect that indicates when the effect is on/off. All three effects can be used together or individually.

The volume/boost is an all discreet transparent boost that can be used as an always-on enhancer, lead booster, or pushing an amp into natural overdrive.

The Chorus is based around classic 1980s analog chorus pedals. With Chorus knob at 12-noon, this emulates a common 80s chorus pedal with ALL knobs at noon. As y0u turn the Chorus knob to the right... the rate will increase and depth will decrease. As you turn the Chorus knob to the left, rate decreases and depth increases.

The Reverb is a hall reverb tweaked to Ryan's exact preferences. The reverb and decay is fixed and the knob functions as an effect Level.

Last but not least there is a secret lo-fi switch to top things off.

Alexander unveils Sky Fi reverb and delay

It's priced at $199. Product page here.

The Sky Fi's reverb engine takes inspiration from certain digital rack units of the '80s and '90s. These units were designed to be as affordable as possible, and had some unique hardware quirks that caused their reverb effects to build in intensity over time. This "slow-building" artifact is one of the things that made these units so special. We've done our best to capture some of the magic of these units with the Sky Fi, while also incorporating some tricks of our own.

Controls:

Reverb — Adjusts the mix and decay of the reverb engine.
Delay — Controls the delay time for the delay engine.
Mix — Controls the blend between fully dry (clean) and fully wet (reverb + delay only) sound. 12 o’clock is an equal mix of clean and reverb + delay.
Repeat — Controls the feedback and repeats of the delay engine. Rotate counter-clockwise for dark, filtered repeats. Rotate clockwise for bright repeats.

Mode Toggle:

Wash — Combines an 800ms delay with our slow-building reverb engine. Holding the footswitch initiates reverb sustain.
Gleam — Adds an upper octave partial to the reverb effect, holding the footswitch swells in a pronounced shimmer. Maximum delay time in this mode is approximately 640ms.
Echo — Slow-build reverb plus delay, holding the footswitch reduces the reverb slightly and forces the delay into oscillation. Warning - extremely loud oscillation and / or total collapse of your signal may occur!

HOLD Function:

The Sky Fi has a unique feature - the bypass footswitch integrates with the reverb and delay engines. Hold the footswitch to shift the reverb or delay engine into a feedback mode. In Wash and Gleam modes, the Hold function increases the Reverb time and mix to an infinite setting. In Echo mode, the Hold function increases the Delay feedback to maximum levels.

Bypass Switching:

The Sky Fi features a buffered bypass with optional "trails." In Trails mode the reverb and delay will continue to repeat when the pedal is bypassed. To switch between standard bypass and trails, hold the bypass switch while powering on. The LED will blink once for standard bypass or five times for trails. The pedal remembers the last setting. The Sky Fi features an analog dry signal path.

Wet / Dry Output:

The Sky Fi allows the player to separate the wet and dry signals at the output jack. Insert a standard mono patch cable into the jack to use as a traditional guitar pedal - the output will contain both wet and dry signals as determined by the Mix knob. If a stereo / TRS cable is connected, the Sky Fi will place a buffered dry signal on the "ring" of the jack and a mix of wet and dry on the "tip." Set the Mix control fully clockwise to have complete wet / dry separation. The Sky Fi will send the dry signal to both outputs when bypassed.

Power Supply:

The Sky Fi requires a 9V DC power supply with a 2.1mm pin, center negative. The Sky Fi is not designed to be powered on supplies higher than 9V and does not use a battery. The Sky Fi should work fine on a multi-pedal "daisy chain" connector, but if you encounter excessive noise or hum try a separate power supply. The Sky Fi requires approx. 60mA.

Earthquaker introduces Space Spiral (with demo)

The Space Spiral is a dark and dreamy modulated delay designed to take you across the highways of fantasy. While the delay may be designed around a “dawn of digital” echo processor, the sound is out of this world, man. If you are a fan of the dreary echoes produced by old oil can delays or the ethereal sound of a well-loved tape delay, the Space Spiral is totally going to tickle your tone bone.

The Space Spiral’s delay time ranges from a tight 30ms to a fast and loose 600ms. Can you imagine having 600ms of delay time at your fingertips? Out of this world! With all of this adjustable delay time you create anything from a classic slapback to a rhythmic wash of cosmic proportions. You want to take it even further? Maybe to an astral plane? Crank up the repeats and let the infinite oscillation of the Space Spiral take you to the other side.

Space Spiral™… It’ll get you through the night.

It's got a list price of $195. More info available at the official product page. The official demo is below:

DOD introduces Mini Volume and Mini Expression Pedals

NAMM (Booth #7800), ANAHEIM, Calif.—HARMAN Professional Solutions today introduced the DOD Mini Volume and Mini Expression pedals. These affordable new passive pedals are just the right size for every guitarist’s pedal board. Rugged all-steel construction and gear drive ensure long lasting durability, with the same feel and throw as pedals twice their size and price.

The DOD Mini Volume pedal features a high-quality 500k potentiometer making it perfect for any volume pedal application. The DOD Mini Expression Pedal features a TRS (25k)/TS (10k)/RTS (25k) selector, making it eligible to work with most gear with expression pedal inputs.

Both pedals feature non-slip rubber pads, and a peerless industrial design by DB Instrument Amp.

DOD Mini Volume and Mini Expression pedals will be available in April.

DOD Mini Expression (official product page)

The new passive DOD Mini Expression Pedal is just the right size for your pedal board, and your wallet. Rugged all-steel construction and gear drive means that there are no strings to break. Despite its compact form factor it is designed to have the same feel and throw as pedals that are twice its size (and price).

More Details

The Mini Expression Pedal features a TRS (25kΩ)/TS (10kΩ)/RTS (25kΩ) selector, making it flexible to work with most gear with expression pedal inputs. The non-slip rubber pads, and a peerless industrial design by DB Instrument Amp insure a high quality expression pedal that will last the test of time.

Features

Gear Drive for reliable performance
3-position multi resistance for wide range of compatibility
Linear 25kΩ/10kΩ potentiometer
Ultra Compact size has same footprint as most pedals

DOD Mini Volume (official product page)

The new passive DOD Mini Volume Pedal is just the right size for your pedal board, and your wallet. Rugged all-steel construction and gear drive means that there are no strings to break. Despite its compact form factor it is designed to have the same feel and throw as pedals that are twice its size (and price).

More Details

The Mini Volume features a high-quality 500kΩ potentiometer making it perfect for any volume pedal application. The non-slip rubber pads and a peerless industrial design by DB Instrument Amp insure a high quality volume pedal that will last the test of time.

Features

Gear Drive for reliable performance
Treble Bleed so high frequencies are maintained at lower volume
Ultra Compact size has same footprint as most pedals

Demo of new TC Electronic pedals from Sweetwater

Retailer Sweetwater has an extensive demo video of the new TC Electronic pedals. They include the feature-rich Ditto X4 looper, the Spectra Comp bass compressor and the Bona Fide Buffer - a buffer that automatically switches to true bypass when its power source is cut.

Demo of new Catalinbread Bicycle and CSIDMAN delay pedals from NAMM

Reverb.com has a demo of two new delay pedals from Catalinbread - the Bicycle and the CSIDMAN, along with the already released Adineko oil can delay. The Bicycle seems to be a pitch-shifting delay, while the CSIDMAN features a "skipping" delay sound inspired by CD players.

New J Rockett pedals unveiled at NAMM

British retailer Andertons has uploaded a video demonstrating several new J Rockett pedals at NAMM. A quick rundown of each pedal is also available at their blog.

Earthquaker Devices Avalanche Run demo

Reverb.com has uploaded a demo video of Earthquaker's Avalanche Run from NAMM 2016. The pedal will start selling exclusively at Reverb.com in March, before being made available at other retailers later this year in July.

New Dunlop, MXR and Way Huge pedals

Dunlop Manufacturing has unveiled several new pedals ahead of NAMM, which includes a new Echoplex delay, a new reverb pedal and smaller versions of the Green Rhino and Swollen Pickle. The new gear is already listed at their website.

Chase Bliss Audio unveils the Tonal Recall analog delay

Come play it at NAMM booth #1276!!

Introducing...

Tonal Recall: Analog Delay

Price: $399. Release Date: May 30th, 2016.

Features Overview:

*100% analog signal path, full digital control of parameters. No digital conversion or processing.

*2 onboard save-able presets + live mode for 3 distinct settings (expandable to 122 with a midi controller).

*Tap Tempo / Hold for setting delay time via tap. Holding the switch gives runaway oscillation. 6 delay subdivisions including dotted eighth note.

*True bypass or buffered bypass with trails.

*2 Xvive MN3005 delay chips.

*SLB (short, long, both) selects between 1 MN3005 (i.e. DM2), 2 MN3005 (i.e DMM), and both for a multi-tap mixed output of the two for more of a washed out / reverby sound.

*Circuit is tuned for 550ms max delay time (longer delays are possible via trimmer adjustment, but compromises tap tempo accuracy and optimal clock filtering).

*Sine, triangle, and square wave modulation with independent rate and depth controls. At max depth, madness ensues.

*Full midi implementation to control presets and parameters.

*Expression / CV control over any parameter individually or simultaneously.

*Ramping over any parameter individually or simultaneously.

*Tone control for full range of clear or dark repeats.

*Mix Control goes 100% dry to 100% wet. On "short" delay setting, pedal can be used as a vibrato or chorus.

*Internal trimmer for max regeneration. Pedal ships with self-oscillation abilities, with the potential to get wilder.

New Earthquaker pedals

Earthquaker Devices has unveiled eight new pedals ahead of NAMM 2016. Here's a quick rundown with demo videos, but full descriptions for each pedal is available at their official blog.

Night Wire (Dynamic Harmonic Tremolo)
Ship Date: February 2016
MAP: $195.00 USD

Spires (Fuzz Doubler)
Ship Date: February 2016
MAP: $195.00 USD

Spatial Delivery (Envelope Filter with Sample & Hold)
Ship Date: March 2016
MAP: $195.00 USD

Gray Channel (Dynamic Dirt Doubler)
Ship Date: March 2016
MAP: $195.00 USD

Bows (Germanium Preamp Booster)
Ship Date: May 2016
MAP: $145.00 USD

Bellows (Fuzzdriver)
Ship Date: May 2016
MAP: $145.00 USD

Acapulco Gold (Poweramp Distortion)
Ship Date: April 2016
MAP: $117.00 USD
This pedal is already available exclusively at ProGuitarShop, but will be made available to other retailers with new artwork in April.

Avalanche Run (Stereo Delay and Reverb)
Ship Date: March 2016 Exclusively through through Reverb.com
MAP: $295.00 USD
Is exclusive to Reverb.com in March, but available to other retailers in July.