Showing posts with label delay. Show all posts
Showing posts with label delay. Show all posts

Strymon unveils Volante Magnetic Echo Machine

Create instant retrofuture atmosphere with evocative vintage delay tones. Activate your imagination with evolving ambient echoes and warm, organic feedback with just the right amount of grit. Sculpt your soundscape in real time as Volante becomes an extension and expansion of your musical instrument. Infuse your pedalboard with stunning vintage vibes that resonate and inspire. Delivering truly exceptional sound quality and intuitive playability, Volante is designed to radically enhance the sonic expressiveness of your pedalboard. Featuring magnetic drum echo, tape echo, and reel-to-reel studio echo, Volante is a stereo multi-head delay that also offers a looper and vintage spring reverb, with powerful sound-sculpting controls for limitless sonic possibilities.

Learn more about the Volante over at Strymon's website.

EHX unveils the Grand Canyon delay and looper

In somewhat predictable news, Electro-Harmonix is unveiling a big brother to their Canyon delay/looper, aptly named the Grand Canyon. Some improvements include stereo outputs, dedicated knobs for the hidden parameters, ability to use delay and looper independently and a new doubler mode. The Grand Canyon is expected to be priced at $249. See you next year when they announce the Oceans 12 reverb.

-Advanced multifunction delay and looper with up to three seconds of delay time
-12 effect types that cover a ton of tonal real estate to fuel your creativity: ECHO, MOD, MULTI, REVERSE, DMM, TAPE, REVERB, PITCH, SHIM, SAMPLE/HOLD, DRUM, DOUBLER
-Tails feature. Select whether the echoes fade out naturally or stops immediately when the pedal is switched to bypass mode
-Tap tempo with nine tap divide subdivisons
-Up to 16 minutes of recording time on the fully featured looper
-Loop audio remains in the Grand Canyon until you erase it, even after removing power
-13 presets can be saved or recalled
-3-button footswitch connector for remote operation
-Comes with an EHX 9.6DC-200 power supply

For more info, visit Electro Harmonix

Fender unveils new pedals at NAMM

These, I believe, are Fender's first pedals since the unexceptional Competition Series pedals and certainly look more inspired than their predecessors.

Pugilist Distortion - MSRP: $99.99
A dual gain-stage distortion with a switch-activated bass boost.

Level Set Buffer - MSRP: $99.99
It's pretty feature-rich for a dedicated buffer pedal, if only because buffer pedals generally don't feature anything other than the buffer. Along with level and hi-frequency filter knobs, the footswitch allows you to mute the signal.

The Bends Compressor - MSRP: $129.99
Maybe it's named after the Radiohead album. Maybe it's named after decompression sickness.

Marine Layer Reverb - MSRP: 149.99
The oddest name from a set of oddly-named pedals. At its price point, it'll have heavy competition with the TC Hall of Fame, DigiTech Polara, BOSS RV6, et al.

Mirror Image Delay - MSRP: $149.99
Like the Marine Layer Reverb, this one will have a lot of competition in the $150 range.

Santa Ana Overdrive - MSRP: $199.99
Some good tone-shaping potential here with two different voices, a 3-band EQ and optional boost.

Chase Bliss unveils Thermae Analog Delay / Harmonizer

Introducing Thermae™: Analog Delay / Harmonizer. Release: 5/31/18. $499. 100% analog signal path with digital control / presets / midi. Max delay time: at least 4 seconds (it likes to be underclocked) via 4x MN3005 chipset. Sequence mode, step mode, or normal mode for shifting through delay time intervals. Three modulation types with three subtypes. Glide knob for setting transition time between pitch intervals. Slightly resonant low pass filter for repeats. Full ramping and expression control. Optional trails or true bypass via dip switch. Momentary or latching bypass via dip switch. Come give it a whirl next week at the NAMM show at booth 3744

NUX unveils some Strymon-looking pedals

NUX has unveiled a line of three new pedals, and at first look, one would assume they're Strymon clones. They share an identical design and knob placement, but the similarities seem to end there. Among the new pedals is the a combination delay and reverb, and an amp simulator, either of which Strymon has. The last new pedal is a combination booster and compressor, but doesn't appear to be a clone of Strymon's own booster/compressor.

Atlantic Delay & Reverb

The Atlantic Delay & Reverb features an analog, digital and tape echo on the delay side, and a spring, hall and plate on the reverb side. A shimmer effect can be added to the plate reverb with a momentary switch. According to NUX, it's expected to be priced around $160. For more info, visit NUX.

Solid Studio IR & Power Amp Simulator

The Solid Studio IR & Power Amp Simulator features 8 cabinets, 8 microphones and 3 positions for each, and 3 tube models. For more info, visit NUX.

Masamune Booster & Kompressor

For more info, visit NUX.

Earthquaker Devices introduce Rainbow Machine V2 and Avalanche Run V2

The second version of the Rainbow Machine will have "more versatile, twice as loud as the original, with an extended delay time, deeper chorus tones, improved signal-to-noise ratio, silent flexiswitch footswitches on both the Activate and Magic functions." For more info, visit Earthquaker Devices.

Avalanche Run V2 will feature "an updated reverb algorithm for enhanced stereo imaging, new custom-built enclosure, flexi-switch switching for standard latching or momentary operation." For more info, visit Earthquaker Devices.

TC Electronic unveils Sonic Specialists line of pedals

TC Electronic has unveiled their latest line of pedals, the Sonic Specialists. Coming in the same box as the "Behringer clones", they include a spring reverb, a shimmer reverb, a spinning speaker simulator and an Echoplex-styled pedal. The pedals are expected to be released in the coming months, check TC Electronic for more info.

Drip spring reverb

The best way to spice up your dry guitar sound with some distinctive character and depth is a good spring reverb. An homage to one of music's most recognizable reverb effects, Drip Spring Reverb instantly takes your tone back to the good old days of amp reverb, to the iconic California surf scene and countless classic blues recordings. Not to mention iconic instrumental bands such as The Shadows and The Ventures, who built their sound on those classic reverberated guitar tones. Quite simply, spring reverb was so ubiquitous on classic recordings that it has become a quintessential part of sound of the electric guitar.

For more info on the Drip, visit TC Electronic.

Fluorescence shimmer reverb

Shimmer reverb is one of those effects that you have to hear for yourself before you really know what it is. Originally pioneered by recording legends Daniel Lanois and Brian Eno, shimmer is produced by layering a tail of reverb that is pitched up an octave and sent through a feedback loop on top of the dry signal. This produces lush soundscapes that take on a life of their known, ranging from voluptuous chimes, to interstellar travel-like sounds that will evoke memories of Carl Sagan's Cosmos while you're playing.

For more info on the Fluorescence, visit TC Electronic.

Gauss tape echo

Few delay effects are more revered, or iconic, than the tape echo machines of yesteryear. The warm, fat tones of the vintage reel-to-reel tape units have become the stuff of legends, but they are hard to come by, pretty temperamental and typically quite expensive. Gauss Tape Echo realistically emulates the sound of those legendary tape echo machines, plays well with other effects, and is pretty darn affordable!

For more info on the Gauss, visit TC Electronic.

Vibraclone rotary

Every guitar player knows the thick, syrupy tones of the iconic 60s guitar heroes blasting their licks through a rotating speaker cone. SRV, Hendrix, Trower and Gilmour to mention a few - they all mastered the unique tone of the original rotating speaker designs. Vibraclone brings that same luscious whirl to your sound, allowing you to explore everything from earthy and swampy to ethereal and spacy ambient tones - all the way up to full-on kaleidoscopic psychedelia!

For more info on the Vibraclone, visit TC Electronic.

MF Stupid Deal - Pigtronix Echolution 2 Filter Pro Delay

Musician's Friend is running a daily deal on the Pigtronix Echolution 2 Filter Pro delay pedal for $209, which is $120 off its usual price.

The Echolution 2 Filter PRO is way more than a delay. This massively flexible multi-tap stereo modulation delay features an entire array of customizable filter, LFO and pitch shifting options along with expression pedal and envelope control of every knob as well as complete MIDI control of every function. 60 user definable presets provide easy access to an unprecedented variety of tap tempo dual delay, synchronized LFO modulation, pitch shifting, bit crushing and moving filter effects. A free, in-depth editor for PC and MAC allows musicians to dig even deeper to customize the behavior and sound of this one of a kind sound design machine.

Pigtronix Echolution 2 combines state-of-the-art analog and digital processing designed to deliver the ultimate delay pedal experience. Echolution 2 achieves the ambient richness of the finest studio delay processors by using 100% analog Class-A, discrete transistor limiters as well as non-linear tape emulator stages and filters to massage the audio coming through the delay line. Fully capable of handling instrument and line level sound sources, the Echolution 2 delivers low-noise, high-headroom delay processing with any rig. Echolution 2 features stereo inputs and outputs, sporting an all analog dry signal path along with extensive analog tone shaping and filtering before and after delay line. Rather than try to mimic the sound of analog delays, the Echolution 2 uses real analog filters and non-linear saturation stages to achieve its signature warmth and dynamic range.

Echolution 2 uses a 24-bit, variable clock, multi-tap delay line that is coded to behave like a futuristic tape machine. Changing the delay time results in the smooth pitch bending of an analog delay system but with a Pigtronix twist that allows drastic delay time changes to create discreet musical intervals. The resulting echoes are then processed through an array of filters and special effects which can be manipulated via assignable expression pedal routing as well as envelope control for each knob.

Accessing and navigating the vast palette of sounds available within the Echolution 2 is easy. Since the pedal is completely programmable, any sound that has been designed using the Echolution 2 Filter PRO or Echolution 2 Ultro PRO pedal can be saved to the unit itself and exported for sharing with friends and other musicians. A dedicated PC/MAC application handles preset management as well as firmware upgrades and also provides Echolution 2 users with real time access to the sounds and advanced editing functionality of the Echolution 2 Ultra PRO

The multi-tap capabilities of the Echolution 2 allow for the use of one or two discreet delays which can be assigned to musical subdivisions of the master delay time. Multi-tap selections include 1, 3/4, 2/3, 1/2, and PHI (the golden ratio). One or any combination of two taps can be selected, allowing for instant access to all of the most crucial musical echo patterns as well as a wide range of unconventional polyrhythms.

The LFO modulation section of the Echolution 2 features true sample rate modulation where both the read and write heads of the delay line are affected by one of four different LFO waveforms (Sine, Square, Saw or Sample and Hold). Each of these LFO waveforms can also be quantized with a STEP mode and will run freely or sync to either tap tempo and MIDI with a variable speed ratio from 1:8 to 8:1.

The Echolution 2 sports four seperate filters (Low Pass, Tape, Comb and Sweep). Each of the first three modes can be combined with the SWEEP filter which is modulated by the LFO as described above. Any of these filter settings can then be run through a unique Pigtronix BIT CRUSHER destruction filter within the delay line as well. The delay line can also be turned off, to allow for the advanced modulation, pitch shifting and filter capabilities to be used as stand-alone effects.

Every knob on the Echolution 2 can be mapped to the expression pedal. Using the included software, multiple functions can be mapped to expression with adjustable range for each parameter. Additionally, an envelope follower within the pedal can also be mapped to any parameter, with user definable sensitivity and release time for each function.

Advanced features such as Reverse, Ducking, Trails, Listen and Ping Pong modes are augmented by a unique Halo “Shimmer” function which causes the echoes to rise in octaves on each repeat. The externally triggered Freeze function allows you to loop the content of the delay line and an all new footswitch activated “Jump” function sends your echoes cascading up by any desired musical interval within an a when desired. The TRS remote switch accessory pedal for the Echolution 2 provides Jump and Freeze functions as well as instant access to four favorite presets in each bank.

Echolution 2 supports up to 60 custom presets contained in 6 banks of 10, all of which can be edited in real time via the front panel and saved to the machine. Hands free Preset selection is accomplished by holding down the onboard TAP switch, using an external remote footswitch or via MIDI preset change command. The included PC/MAC application allows even deeper real time editing as well as the ability to import artist presets and share your own custom presets online.

MIDI IN provides instant preset change, Tap Tempo and LFO synchronization with an external source as well as remote control over every function of the Echolution 2. MIDI OUT allows for tap tempo control over the Pigtronix Infinity Looper and other MIDI capable devices. The USB port on the Echolution 2 provides connectivity to MAC or PC computers, allowing you to run the free Echolution 2 application for preset management and real-time tweaking of advanced parameters.

Alexander unveils Quadrant Audio Mirror delay

The Quadrant Audio Mirror is a four-mode, MIDI-capable delay. A demo from Reverb.com is available below. For more information on the Quadrant, visit Alexander's website.

MXR unveils Carbon Copy Deluxe

MXR will be releasing an upgraded version of their popular Carbon Copy analog delay. The new features are as follows:

- The maximum delay time has been increased from 600 ms to 1.2 seconds
- Tap tempo with four subdivisions (dotted 8th, 8th, triplet, and 16th)
- A "bright" button, which switches to the MXR Carbon Copy Bright circuitry
- "Speed" and "Width" knobs to control modulation, which were previously internal trimpots
- An input jack for an expression pedal

The MXR Carbon Copy Deluxe will be priced at $229.

Walrus Audio unveils ARP-87 Multi-Function Delay

The ARP-87 is a compact, feature-rich delay, packed with a large pallet of inspirational delay tones. Featuring four main algorithms, digital, analog, lo-fi, and slap back, the ARP-87 can cover some serious ground in the world of echoes. The Digital algorithm boasts pristine, crystal clear repeats great for rhythmic riffs. The Analog setting works well to add warmth and dimension to chords and lines without getting in the way. The Lo-Fi algorithm, with its adjustable frequency range on the repeats, goes from warm, warped, and murky, to strait AM radio. Finally, the Slap setting makes it easy to dial in a great slap back echo perfect for smoking chicken pickin’ runs. With other features like our smart bypass switching, and momentary knob ramp, the ARP-87 provides endless creative opportunities that are waiting to be explored.

The X knob changes functions depending on which Algorithm you are using. It adjusts a specific parameter in each algorithm. In Digital, Analog, and Slap modes, the knob will control modulation depth. In Lo-fi mode, the knob will control Filter width.

Note that when changing delay types this loads a whole new algorithm and the tempo must be tapped in again.

Trails Mode

The ARP-87 can be run in trails or no trails mode. In trails mode, when you turn the pedal off, the delay trails die off naturally. In no trails mode, the delay trails are abruptly cut off when you turn the pedal off. To toggle between either mode, hold down the bypass switch for 1 second while applying power to the pedal. Unplug power and repeat to toggle to the other mode.

Momentary Functions:

When the switch is in off position, press and hold the Bypass Switch to temporarily activate the effect to add a moment of delay texture. Releasing the switch turns the effect off. When the effect is on, press and hold the bypass switch to momentarily ramp the X parameter to maximum. Releasing the switch sets the X parameter back to the knob location.

Press and hold the Tap Switch to temporarily ramp the feedback to maximum. Release to set the feedback back to the knob location.

The ARP87 is expected to ship July 18. For more info, visit the official product page.

TC Electronic unveils Flashback 2 Delay

TC Electronic has unveiled the inevitable Flashback 2 Delay. Much like the Hall of Fame 2 reverb pedal, the Flashback 2 will have the pressure-sensitive "MASH" footswitch, octave capabilities, and two additional TonePrint slots over its predecessor. The stereo in jack can also act as an tap tempo input. For more information on this pedal, visit the official product page.

The new Flashback 2 serves up a sonic buffet of expressive delay by infusing the pressure sensitive MASH technology with our renowned delay algorithms.

We completely redeveloped our Tape and Analog algorithms from scratch, recreating the tones of old school echoes with unheard realism, including every little eccentric behavior inherent in those legendary designs.

We also squeezed in a shimmering Crystal delay, made with our own polyphonic octave algorithm from Sub 'N' Up into Flashback 2.

And finally, with 3 TonePrint slots in total, you get more flexibility than ever, and all the legendary delay sounds that TC Electronic are famous for.

JHS introduces Pink Panther delay

The original Pink Panther was one of the early JHS pedals in our line and was the first JHS delay pedal dating back to 2007-2008. The new Pink Panther is now the continuation of our delay line, and it embraces our goal to bring you a highly versatile, simple and unique line of delay pedals. The original 2007-2008 era rare/original units sell used for upwards of $500, so we thought it was time to go back to the drawing board to bring you what we consider the ultimate JHS reissue nearly ten years later. While the Panther Delay (large box, silver) and Panther Cub V1.5 (smaller box, teal) offer up authentic and genuine bucket brigade analog goodness, the Pink Panther takes a different approach: unashamed digital processing. Some of our favorite delay pedals ever made are early digital delays like the Boss DD-5, Ibanez DE7, DDL and the DOD DFX9. We think that the Pink Panther tips its hat to those units that replicate, effect and mold your guitar tone into something that only digital delay can. With a small footprint, loads of features and a simplistic user experience, we believe the search for the perfect delay is over!

Features Include

– 1 Second of Delay Time
– Tape or Digital Clean Modes
– Two Types of Modulation
– Dark EQ Knob for Repeats
– On-board Tap Tempo
– Top Mounted Input/Output Jacks
– External Tap Tempo Jack
– 4 Subdivisions (1/4, dotted 1/8, 1/8, Triplets)
– Small compact footprint
– Standard 9V DC Negative power

The Pink Panther is priced at $249. For more info, visit the official product page.

Electro-Harmonix Canyon Delay and Looper demo

The Canyon was first teased last month at NAMM 2017, but today EHX has put out an official demo video. It's not unlike other multi-delay pedals on the market, but with the Sample & Hold mode and secondary knobs to fine-tune the modulation, it should be a worthy competitor to similarly-priced pedals like the TC Flashback. Prymaxe currently has it at $139.

Packed with more power than pedals taking up more real estate, the compact Canyon features a collection of awe-inspiring effects. From pristine digital delay to warm and warbly tape echo, reverse and modulated delays, cascading octave delay and shimmer… even an exquisite Deluxe Memory Man emulation. There are ten different effects in all plus a fully featured looper. Internal or external Tap Tempo with tap divide and a chasm full of intuitive secondary knob controls deliver a truly grand experience.

Features 11 modes:
1. ECHO: digital delay
2. MOD: modulated delay
3. MULTI: multi-tap delay
4. REVRS: reverse delay
5. DMM: Deluxe Memory Man
6. TAPE: tape delay
7. VERB: reverb plus delay
8. OCT: octave delay
9. SHIM: shimmer
10. S/H: sample and hold
11. LOOP: looper mode w/max loop length of 62 seconds

- Delay time of 5 milliseconds to 3 seconds
- Tap Tempo with tap divide using the built-in footswitch or an external footswitch
- Tails switch allows you to choose whether echoes repeat or stop immediately when the pedal is switched to bypass
- Easy access to “hidden” parameters thru Secondary Knob Mode
- Comes with a standard EHX 9.6DC200mA PSU
- Dimensions in inches: 2.75 (w) x 4.5 (l) x 2.1 (h)
- Dimensions in mm: 70 (w) x 115 (l) x 54 (h)

Seymour Duncan introduces Andromeda Dynamic Digital Delay

The Andromeda™ Dynamic Delay is a new approach to the traditional digital delay – as much a performance tool as it is a sound effect. Andromeda features warm, hypnotic repeats with an unparalleled level of control and musical, dynamic interaction. The combination of versatility and ease of use make it an indispensable tool for the creative guitarist.

The Andromeda will have a $299 street price. Check the official product page for more info.

Death by Audio introduces Micro Dream and Evil Filter

The Micro Dream is the Echo Dream stripped down to just the delay function. It's priced at $200.

The Evil Filter is priced at $380 and will ship in February.

Psycho HP/BP/LP filter. When pushed to the limit it glitches out into octaves up, down, and insanity. Has 2 really nasty fuzzes, one straight forward and powerful as heck - the other pushing and pulling with every chord. CV/Expression in - slam the filter up and down in sync with an arpeggiating synth or control it with an expression pedal. Sounds amazing with synth and guitar.

JHS unveils Milkman and VCR

The Milkman will ship in early spring 2017, and is priced at $179.

The Milkman is a collaborative idea between Josh Scott of JHS Pedals and Tim Marcus of Milkman Sound. The concept is simple; a single pedal that offers up an echo/slap delay and a boost that can be used as an always-on enhancer or as an overdrive for small wattage amplifiers. Josh designed the circuit in late 2016 and here we are, a small footprint, easy to use boost/echo 2-in-1 that fits into any style players rig with ease. Let's look at the controls.

The right side of the pedal is the boost side. This boost is a discreet amplifier based circuit with tons of power and character. Simply set it low at unity gain for an always-on enhancer that fattens up and clarifies your tone, or turn more clockwise to push your tube amplifier into sweet natural overdrive. The left side of the pedal is the echo/slap delay circuit. This circuit is designed to be a hybrid of tape echo and analog BBD delay. The controls are simple and it sounds good in every setting. The “Slap” knob is the amount of delay time. As you turn the knob up, you will get longer delay times. Keep in mind, this pedal is designed for shorter vintage slap-back delay times. The “Mix” knob is the effect level. Full counter clockwise is all dry and full clockwise is full wet/effect. The “Repeat” knob controls how many echoes or repeats you get. The minimum is one and maximum is around 4.5 repeats. "Repeat" knob lets you fine tune how many delays you will get. Lastly is the “EQ” knob. This control only affects the repeat delay signal so that you can perfectly adjust the brightness or darkness of your echo. When fully counter clockwise the repeats are at their darkest much like an old BBD analog delay. When fully clockwise the repeats are the brightest they will be with more grit, this is much like a classic tape delay machine.

The footswitching is our typical 2 in 1 arrangement where either effect can be used separately or together. The foot switch on the left, the switch will turn the delay on/off and the footswitch on the right will turn the boost on/off.

The VCR will ship in early spring 2017, and is priced at $259.

The VCR pedal is a first in a new collaboration between PaxAM, Ryan Adams, and JHS Pedals. The VCR pedal is Ryan's signature Volume/Chorus/Reverb pedal inspired by the tones of The Cure, The Smiths and a hefty dose of 1980’s angst. Dial in the perfect movement, ambience and volume/boost level to create an instant three effect analog preset.

There is one true bypass stompswitch that functions as a master on/off and each of the three effects are turned on/off with their respective toggle. There is a corresponding LED for each effect that indicates when the effect is on/off. All three effects can be used together or individually.

The volume/boost is an all discreet transparent boost that can be used as an always-on enhancer, lead booster, or pushing an amp into natural overdrive.

The Chorus is based around classic 1980s analog chorus pedals. With Chorus knob at 12-noon, this emulates a common 80s chorus pedal with ALL knobs at noon. As y0u turn the Chorus knob to the right... the rate will increase and depth will decrease. As you turn the Chorus knob to the left, rate decreases and depth increases.

The Reverb is a hall reverb tweaked to Ryan's exact preferences. The reverb and decay is fixed and the knob functions as an effect Level.

Last but not least there is a secret lo-fi switch to top things off.

Alexander unveils Sky Fi reverb and delay

It's priced at $199. Product page here.

The Sky Fi's reverb engine takes inspiration from certain digital rack units of the '80s and '90s. These units were designed to be as affordable as possible, and had some unique hardware quirks that caused their reverb effects to build in intensity over time. This "slow-building" artifact is one of the things that made these units so special. We've done our best to capture some of the magic of these units with the Sky Fi, while also incorporating some tricks of our own.

Controls:

Reverb — Adjusts the mix and decay of the reverb engine.
Delay — Controls the delay time for the delay engine.
Mix — Controls the blend between fully dry (clean) and fully wet (reverb + delay only) sound. 12 o’clock is an equal mix of clean and reverb + delay.
Repeat — Controls the feedback and repeats of the delay engine. Rotate counter-clockwise for dark, filtered repeats. Rotate clockwise for bright repeats.

Mode Toggle:

Wash — Combines an 800ms delay with our slow-building reverb engine. Holding the footswitch initiates reverb sustain.
Gleam — Adds an upper octave partial to the reverb effect, holding the footswitch swells in a pronounced shimmer. Maximum delay time in this mode is approximately 640ms.
Echo — Slow-build reverb plus delay, holding the footswitch reduces the reverb slightly and forces the delay into oscillation. Warning - extremely loud oscillation and / or total collapse of your signal may occur!

HOLD Function:

The Sky Fi has a unique feature - the bypass footswitch integrates with the reverb and delay engines. Hold the footswitch to shift the reverb or delay engine into a feedback mode. In Wash and Gleam modes, the Hold function increases the Reverb time and mix to an infinite setting. In Echo mode, the Hold function increases the Delay feedback to maximum levels.

Bypass Switching:

The Sky Fi features a buffered bypass with optional "trails." In Trails mode the reverb and delay will continue to repeat when the pedal is bypassed. To switch between standard bypass and trails, hold the bypass switch while powering on. The LED will blink once for standard bypass or five times for trails. The pedal remembers the last setting. The Sky Fi features an analog dry signal path.

Wet / Dry Output:

The Sky Fi allows the player to separate the wet and dry signals at the output jack. Insert a standard mono patch cable into the jack to use as a traditional guitar pedal - the output will contain both wet and dry signals as determined by the Mix knob. If a stereo / TRS cable is connected, the Sky Fi will place a buffered dry signal on the "ring" of the jack and a mix of wet and dry on the "tip." Set the Mix control fully clockwise to have complete wet / dry separation. The Sky Fi will send the dry signal to both outputs when bypassed.

Power Supply:

The Sky Fi requires a 9V DC power supply with a 2.1mm pin, center negative. The Sky Fi is not designed to be powered on supplies higher than 9V and does not use a battery. The Sky Fi should work fine on a multi-pedal "daisy chain" connector, but if you encounter excessive noise or hum try a separate power supply. The Sky Fi requires approx. 60mA.

New EHX Canyon Delay and Looper

Electro-Harmonix doesn't seem to have an official product page up yet, though it's already on Musician's Friend, with a price of $158.20 and shipping date of Feb 13.

A Huge amount of versatility that fits on your pedalboard.

Packed with more power than pedals taking up more real estate, the compact Electro Harmonix Canyon features a collection of awe-inspiring effects. From pristine digital delay to warm and warbly tape echo, reverse and modulated delays, cascading octave delay and shimmer—even an exquisite Deluxe Memory Man emulation. There are 10 different effects in all plus a fully featured looper. Internal or external Tap Tempo with tap divide and a chasm full of intuitive secondary knob controls deliver a truly grand experience.

Earthquaker introduces Space Spiral (with demo)

The Space Spiral is a dark and dreamy modulated delay designed to take you across the highways of fantasy. While the delay may be designed around a “dawn of digital” echo processor, the sound is out of this world, man. If you are a fan of the dreary echoes produced by old oil can delays or the ethereal sound of a well-loved tape delay, the Space Spiral is totally going to tickle your tone bone.

The Space Spiral’s delay time ranges from a tight 30ms to a fast and loose 600ms. Can you imagine having 600ms of delay time at your fingertips? Out of this world! With all of this adjustable delay time you create anything from a classic slapback to a rhythmic wash of cosmic proportions. You want to take it even further? Maybe to an astral plane? Crank up the repeats and let the infinite oscillation of the Space Spiral take you to the other side.

Space Spiral™… It’ll get you through the night.

It's got a list price of $195. More info available at the official product page. The official demo is below: