Chase Bliss Audio unveils Dark World dual channel reverb

Dark World™ is the first fully digital offering from Chase Bliss Audio; a unique dual channel reverb that we made with a little help from our friends. Cooper FX is responsible for the “Dark” channel; a collaborative effort influenced partly by their Generation Loss and Outward designs. Keeley Electronics crafted the “World” channel, which houses three absolutely gorgeous Hall, Plate, and Spring algorithms. Put together, the channels can be routed in 33 distinct ways, creating a stunning palette of reverb ranging from subtle, tasteful, and lush all the way to broken video cassette, glitch shimmer, and infinite freeze. Add all this to the dense digital control and full MIDI, dip-switch, and preset implementation Chase Bliss is known for, and you have yourself a very fun, powerful, and player-friendly reverb pedal in a small package.

The Dark World is priced at $349, but you can get 15% off with the code DARKFRIDAY
For more info, visit Chase Bliss Audio.

Chase Bliss unveils Thermae Analog Delay / Harmonizer

Introducing Thermae™: Analog Delay / Harmonizer. Release: 5/31/18. $499. 100% analog signal path with digital control / presets / midi. Max delay time: at least 4 seconds (it likes to be underclocked) via 4x MN3005 chipset. Sequence mode, step mode, or normal mode for shifting through delay time intervals. Three modulation types with three subtypes. Glide knob for setting transition time between pitch intervals. Slightly resonant low pass filter for repeats. Full ramping and expression control. Optional trails or true bypass via dip switch. Momentary or latching bypass via dip switch. Come give it a whirl next week at the NAMM show at booth 3744

Chase Bliss unveils Condor Analog EQ / Pre / Filter

It was announced on Chase Bliss Audio's Instagram account.

No trolling / teasing this year, straight to it. Introducing Condor™: Analog EQ / Pre / Filter. Release: 4/16/18. $349. 100% analog signal path with digital control/presets/midi. Switchable to clean or overdrive. Parametric boost/cut mids control from 150Hz to 5kHz with 3 “Q” settings. Bass boost/cut control with 3 intensity settings. LPF filter with 3 settings: normal, slight resonant, very resonant. Ramping/hold functionality for LFO filter tremolo effects. True bypass or buffered bypass selectable via dip switch. Come try it out at NAMM next week, booth 3744. We are still tweaking the design so customer feedback is desired and appreciated.

Chase Bliss unveils Warped Vinyl HiFi

Originally conceived to simulate the effect of a warped vinyl record, but that only scratches the surface of what Warped Vinyl HiFi can do. This “true pitch” analog vibrato/chorus pedal features an all-analog signal path that can be dialed in to create limitless palette of vibrato and chorus. Warped Vinyl HiFi has several changes from previous versions, including a lag knob for lush chorus tones, reduced noise, and opportunities for more transparent and brighter tones. Further, every knob and switch is connected to a little digital brain while your guitar signal stays 100% analog the entire time and never gets digitally processed. Since the control of the effect is digital, it opens up unprecedented effects and features that have never been heard or offered in analog stompboxes.

The Warped Vinyl HiFi is up for pre-order exclusively at Reverb.

Chase Bliss unveils Brothers

Brothers™ --- 100% Analog Signal Path --- Six independent Effects via Two Independent Channels (A & B) --- Stack A into B, Stack B into A, or Mix Channels in Parallel --- Save-able Presets (2 on board, 6 via “faves” switch, 122 via midi) --- 33 Different Routing Options, All Save-able with Knob Positions --- Channel A features JFET based Boost, OD, Fuzz (Designed in collaboration with Resonant Electronic Design™) --- Channel B features IC based Boost, OD, Fuzz (Designed by Chase Bliss Audio™) --- High Headroom, Super Clean Tonestack for Each Channel --- All Parameters Controllable by Expression / CV --- True Bypass or Buffered Bypass selectable by Dip Switch --- Momentary Engage / Kill Mode for Both Channels --- $349 – Release date March 20th --- Pre-order date February 20th --- “mini-doc” with history and sound clips of pedal linked here: https://www.youtube.com/watch?v=v-1I4v6PvvA

This is the story of how this pedal came into existence.

Boost. Drive. Fuzz. Not necessarily in that order.

Designed in collaboration with Resonant Electronic™, Brothers™ is built upon two independent JFET / IC analog channels comprising a total of six unique boost, drive, or fuzz circuits in one small enclosure. The pedal can be routed in thirty-three distinct ways, including mixing them in parallel or changing the order of the effects. As with every Chase Bliss pedal, you can save everything and recall presets instantly, on-the-fly either on the pedal or with MIDI. Every knob and switch is connected to a little digital brain while your guitar signal stays 100% analog the entire time and never gets digitally processed. Since the control of the effect is digital, it opens up unprecedented effects and features that have never been heard or offered in analog stompboxes.

Pre-order: 2/20/17
Release: 3/20/17

Chase Bliss Tonal Recall demo

Proper demos for the Chase Bliss Audio's upcoming Tonal Recall analog delay are finally out. At $399, it'll hit the market as one of the most expensive analog delay pedals, but it's also one the most feature-rich. More info is available on the Chase Bliss Audio website.

Tonal Recall demo from Knobs

Tonal Recall demo from ProGuitarShop

Chase Bliss Audio unveils the Tonal Recall analog delay

Come play it at NAMM booth #1276!!

Introducing...

Tonal Recall: Analog Delay

Price: $399. Release Date: May 30th, 2016.

Features Overview:

*100% analog signal path, full digital control of parameters. No digital conversion or processing.

*2 onboard save-able presets + live mode for 3 distinct settings (expandable to 122 with a midi controller).

*Tap Tempo / Hold for setting delay time via tap. Holding the switch gives runaway oscillation. 6 delay subdivisions including dotted eighth note.

*True bypass or buffered bypass with trails.

*2 Xvive MN3005 delay chips.

*SLB (short, long, both) selects between 1 MN3005 (i.e. DM2), 2 MN3005 (i.e DMM), and both for a multi-tap mixed output of the two for more of a washed out / reverby sound.

*Circuit is tuned for 550ms max delay time (longer delays are possible via trimmer adjustment, but compromises tap tempo accuracy and optimal clock filtering).

*Sine, triangle, and square wave modulation with independent rate and depth controls. At max depth, madness ensues.

*Full midi implementation to control presets and parameters.

*Expression / CV control over any parameter individually or simultaneously.

*Ramping over any parameter individually or simultaneously.

*Tone control for full range of clear or dark repeats.

*Mix Control goes 100% dry to 100% wet. On "short" delay setting, pedal can be used as a vibrato or chorus.

*Internal trimmer for max regeneration. Pedal ships with self-oscillation abilities, with the potential to get wilder.