The Russian-Pickle Fuzz dishes out smooth, creamy fuzz tones with a clear midrange to cut through the mix and a fat bottom end that keeps your sound thick and full. With a no-nonsense interface featuring Volume, Tone, and Distortion controls, you can quickly dial in your sound and get to playing. Bass players, take note—this pedal has enough low end to tremble the earth. Whether you’re going for ’90s-era grunge, swinging stoner grooves, or raw two-piece garage rock riffage, the Russian-Pickle Fuzz is the perfect comrade for your pedalboard.
Want to know what the Conquistador Fuzzstortion sounds like? Take a giant Velcro strip and tear it apart with great vigor, and you’ll have your answer. This aggressive gated fuzz conquers sonic frontiers with ease and simplicity. Just use the classic Volume, Tone, Fuzz control setup to dial in your sound and then play a soundtrack to shred the space-time continuum. Even at extreme settings, the Conquistador Fuzzstortion remains musically pleasing in its onslaught of destruction.
The Dyna Comp Mini Compressor combines the best of classic tone and modern convenience in a housing that’s nearly half the size of the original. anks to its rare CA3080 “metal can” integrated circuit (IC), this pedal yields quieter operation, greater transparency, and increased dynamic range. An all-new Attack switch toggles between slow and fast attack times.
The Il Diavolo Overdrive, designed in collaboration with premier Italian pedal designer Carlo Sorasio, features a classic circuit that’s been hot-rodded for enhanced midrange and low end frequencies. Thanks to the Hi/Low switch, this pedal gives you access to a wide range of symmetrical and asymmetrical tones, from a smooth organic boost to sweet, smoky overdrive to full on-grind.
The Sub Octave Bass Fuzz dishes out thunderous low end with earth-shaking fuzz. To create this sonic behemoth, MXR’s engineers combined the Growl section of the Bass Octave Deluxe with a long-forgotten fuzz circuit. With three separate output level controls for the fuzz, sub octave, and dry signals, you can create your own recipe of subterranean tones without sacrificing any of your instrument’s natural sound. Further versatility comes in the form of the fuzz section’s tone controls and two switchable voices—warm and compressed or bright and aggressive—along with the Mid Level control, which allows you to give your dry signal some more punch in the midrange.
The MXR Six Band EQ has been upgraded with noise-reduction circuitry, true bypass switching, brighter LEDs for increased visibility, and a lightweight aluminum housing. It covers all the essential guitar frequencies, with each slider ready to deliver +/-18dB of cut or boost for incredible control over your sound. The Six Band EQ can create scooped-mid rhythm tones with massive low end, add natural sounding warmth to a quacky acoustic pickup, eliminate onstage feed-back, and much more. You can also use the Six Band EQ in the effects loop of your amp for a huge, sculptable lead boost.
The MXR Ten Band EQ has been upgraded with noise-reduction circuitry, true bypass switching, a lightweight aluminum housing, brighter LEDs for increased visibility, and a second output so you can run two separate signal chains. With ten carefully chosen frequencies and both input and output level controls, the Ten Band EQ will let you tune your bass or guitar rig to any room in seconds—create earthshaking low-end; restore punch, level, and treble response to a crowded pedalboard; warm up an amplified acoustic; and much, much more. For ultimate tone-sculpting ability in a bullet-proof enclosure, put the Ten Band EQ on your pedalboard.
